I Want Lots More Of Deacon's America

I mentioned only days ago the Dan Deacon show in January (still one of the best shows of 2012, in no small part due to the arresting performance by John Maus). Well, the Baltimore alchemist has brewed his next elixir, calling it America, and is giving us a booster shot with leading track 'Lots'. Seriously, this guy can always pull me out of a funk, and this track is as sugar-high, sonorous, orgasmic technicolour ear candy as always.

Donkey Jaw In The Dunes

Seeing as the past few days has had me delving into some back catalogue stuff, I couldn't pass up an opportunity to talk about this record that has been slaying me all over again the past couple weeks. When Damon McMahon AKA Amen Dunes first came onto the scene, I was a little nonplussed. Unlike my first impressions of John Maus (that I didn't "get" it), the New Yorker just didn't grab me the way that other psych bands did. I appreciated some of his efforts - I was an immediate fan of 'Two Thousand Islands' and a couple other tracks off 2009's DIA - but I thought that Amen Dunes were going to be one of those bands that lots of people dug, but I didn't. It happens.


But then Through Donkey Jaw happened. When Sacred Bones put this out, as you can guess I didn't jump all over it like a virginal teen. I still felt that, whilst McMahon could straddle genres like a cowboy astride a rampant bull, he sometimes got swept away by the power of his ambitions - or even trampled underneath them. Not so here. The chopping and changing from drone to fuzzed out psych to intricate guitar meltdowns to falsetto soirees. McMahon's vocals transcend here, yet such confidence is evident across the board. His new-found band have helped to graft flesh on the bones, but truth be told they are only augmenting what is clearly inherent here. McMahon, and therefore Amen Dunes, are getting better with time. The erraticism fits within the paradigm of the band aesthetic now, much more controlled than its scattershot predecessors.

It's funny how much of an about-turn Through Donkey Jaw has been for me. If you haven't checked it out, you are doing yourself a major disservice. You can grab the record from Sacred Bones here.

Amen Dunes - Baba Yaga
Amen Dunes - Jill

Flexi Maus

I know that 'No Title (Molly)' came out some time ago, but I just managed to pick up one of Domino Records' Record Store Day-sanctioned flexidiscs Smuggler's Way for myself, complete with accompanying zine, so thought Id have a quick chat about the John Maus track - and John Maus in particular.

I admit to not really "getting" much lauded album of last year We Must Become The Pitiless Censors Of Ourselves. I thought that it was too considered, too "now". Then I saw him live earlier this year when he supported Dan Deacon, and I had the inverse reaction to most. Whilst many who bought his albums found his self-flagellating, anguished performance perplexing and off putting, I thought it personal, gritty, and weirdly fun. Such efforts are rarely put into performances these days, yet Maus threw EVERYTHING into it. And he is a super guy too, willing to shoot the breeze afterwards.

'No Title (Molly)' isn't as dark as past releases, and could even be construed as a little poppier than most. The flexidisc itself is full of wonderful re imagined tracks too, well worth a listen. Expect more of the same on his rarities release - I'm after that one next.



John Maus - No Title (Molly)

Double Baltimore Magic

It was sad news indeed that two Baltimore acts, Double Dagger and Ponytail, have hung up their chaps in 2011. Both bands were up in my top ten live acts of all time (as witnessed by me - that's how these things work, right?). But two other B-more acts continue to ply their trade with excellent results.


First up we have the electro-shock artist and dance-party authority Dan Deacon, renowned as one of the world’s funnest and most epic live performers. I saw him play at London's ULU in 2009 - such an amazing show, it had all the funky white kids shuffling (they are too hip to dance). The Dr Marvin Monroe maniacal yet lovable alchemist, is equal parts crazy and inspirational, participatory and energetic, and his intense live show breaks down audience inhibitions to enable mass mayhem and fun. He has just signed onto Domino Records, and is making his way to Australia in January 2012! What's more he is bringing his ensemble - sop full band awesomeness! AND one such member is Denny from Double Dagger! Wow.

But the excellent times do not halt there, as he will be supported by one of 2011's most lauded artists in John Maus. His groundbreaking new album We Must Become The Pitiless Censors Of Ourselves (released on one of our fave labels ever, Upset The Rhythm (as if you didn't already know!!!), distributed locally through Inertia) has been one of the iconic records of 2011. The confrontation of punk, the fleeting poignancy of 80s movie soundtracks, the insistent pulse of Moroder and the spirituality of Medieval and Baroque music all find salvation in John Maus.

The show is rounded out by locals Toy Balloon, whose sound is a collision of shambolic noise, plump dance grooves, brother / sister vocal harmonies and rigid polyrhythms. The result is a brilliant and confounding bastardisation of pop music that few people can resist. With one foot in a world occupied by new wave, cosmic disco, early hip hop and acid house, and the other foot firmly planted in the introspective, experimental indie rock world, the four piece has built a scene-busting following through their dynamic and diverse live shows. It all happens at Woodland on Thursday January 12 - grab your tickets here. AND A NEW ALBUM IS ON ITS WAY!!!

Dan Deacon - Red F


Then we have Future Islands, who also played that titular ULU show. Their new album, On The Water, is every bit as great as was hoped, and whilst they aren't known to be touring Australia soon, this album is more than enough to keep you afloat! Grab it here.

Future Islands - Give Us The Wind
Future Islands - Before The Bridge

With these two acts in business, the world is not a cold, dead place...