http://celinejulie.blogspot.com/2011/08/marathon-2011-game.html
MARATHON FILM FESTIVAL GAME PART 2
http://celinejulie.blogspot.com/2011/09/marathon-film-festival-game-part-2.html
MARATHON FILM FESTIVAL GAME PART 3
http://celinejulie.blogspot.com/2011/09/marathon-film-festival-game-part-3.html
This game is inspired by Graiwoot Chulphongsathorn.
The questions below mostly concern Thai films which were shown in the Marathon Film Festival from 1997 to 2011, but also concern foreign films and Thai films shown outside the festival.
The word "film" here includes all kinds of moving images.
Answer these questions and your life will be better:
19. Discuss how the performances of stage actors/actresses contribute to the success of these films.
19.1 BLIND (2008, Kanjana Akasin), starring Sasapin Siriwanij and Kusuma Thepparak
19.2 BODILY FLUID IS SO REVOLUTIONARY (2009, Ratchapoom Boonbunchachoke), starring Athapol Anunthavorasakul, Watcharapong Kanjanakrit, and Sawanee Utoomma
19.3 A CHRONICLE OF LOVE AND PAIN (2009, Kanchat Rangseekansong), starring Wanatsanan Sasom
19.4 FAIRY FEMININE (2009, Arpapun Plungsirisoontorn), starring Sumontha Suanpolrat
http://vimeo.com/5754635
19.5 HASAN (2008, Attapon Pamakho), starring Suphasawatt Purnaveja and Pavinee Samakkabutr
19.6 HUNGRY OR FULL (2009, Anuchit Muanprom), starring Watcharapong Kanjanakrit
19.7 JIM (2005, Tosaporn Mongkol), starring Farida Jiraphan
19.8 KONTHAN (2010, Witchupong Sukhavichai), starring Montree Wongbutra
19.9 LOVE IS (NOT) MAD (2008, Tosaporn Mongkol), starring Pinthip Satprertprai
19.10 MAE NAK (1997, Pimpaka Towira), starring Mullika Tangsa-ngob
19.11 MIDNIGHT RAINBOW (2008, Patha Thongpan), starring Duangjai Hirunsri
19.12 MOTHER (2011, Vorakorn Ruetaivanichkul), starring Natthaya Nakawech
19.13 MY LOVE TV (2011, Duangporn Pakavirojkul), starring Sumontha Suanpolrat
19.14 PANATIPATA (2010, Nawapol Thamrongrattanarit), starring Sawanee Utoomma
http://www.youtube.com/watch?v=VYu4VcvNbmM
19.15 QING (2011, Boonyanuch Kraithong), starring Sasapin Siriwanij
19.16 69 (201, Somkid Phukpong), starring Sawanee Utoomma
19.17 STAINED (2009, Manasrawee Wongpradu), starring Pattarasuda Anuman Rajadhon
19.18 TAKE A MESSAGE (2005, Maythus Chaichayanon), starring Jaturachai Srichanwanpen
19.19 THAI FAMILY (2009, Yingsiwat Yamolyong), starring Donruedee Jamraschai and Montree Wongbutra
19.20 THIS CONSTRUCT CAN SERVE NO PURPOSE ANYMORE (2008, Sathit Sattarasart), starring Duangjai Hirunsri
19.21 WASABI (2007, Asit Wangsuekul), starring Shogo Tanikawa
19.22 WOMAN I (2010, Nuntanat Duangtisarn), starring Nophand Boonyai, Sasithorn Panichnok, Sumontha Suanpolrat, and Ornanong Thaisriwong
20. If there's a book called "TRAUMATIC EXPERIENCES AND THEIR RELEASES THROUGH THAI CINEMA", which films among these do you think fit to be discussed in this book? And why?
20.1 AT LEAST/MODERATELY/TREMENDOUSLY (อย่างน้อย/อย่างกลาง/อย่างมาก) (2011, Tritos Termarbsri, 90 min)
2.0.2 BANG-KERD-KLOAW (บังเกิดเกล้า) (2011, Kamontorn Eakwattanakij, 35 min)
http://vimeo.com/25540318
20.3 A BRIEF HISTORY OF MEMORY (2010, Chulayarnnon Siriphol)
20.4 CITIZEN JULING (2008, Ing K + Manich Sriwanichpoom + Kraisak Choonhavan)
20.5 THE GIRL WHO LIKE TO CALL HER HOUSE (2010, Suparom Ronyut, Theemaporn Thanapala, La-ongsri Kongkachasing, 20 min)
20.6 LETTER FROM THE SILENCE (2006, Prap Boonpan, 5:11 min)
20.7 ONE DAY YOU WILL LOVE ME LIKE I LOVE YOU (สักวันเธอจะรักฉันอย่างที่ฉันรักเธอ) (2011, Wachara Kanha, 50 min)
20.8 TEARS (2003, Patana Chirawong, 13 min)
20.9 TSU (2005, Pramote Sangsorn)
20.10 WE WILL FORGET IT AGAIN (2010, Napat Treepalawisetkun, 9 min)
21. Which films below do you think display the ecstatic confluence of music and motion?
21.1 AGERU (2010, Tossapol Boonsinsukh)
http://www.youtube.com/user/nangtoszlong#p/u/3/gkrgi1wrJMg
21.2 BUNGALOWZEN: THE AMERICAN TRILOGY (2004, Taiki Sakpisit, 19 min)
21.3 DON'T YOU EVER TOUCH MY BAG! (1997, Surachai & Manorom, 5 min)
21.4 FIREFLIES (2005, Chawit Waewsawangwong, 4:12 min)
21.5 FOURTH WORLD (พื้นที่ในสำนึก) (2007, Chayanis Wongthongdee + Techanan Jirachotrawee, 13 min)
21.6 HAPPY EXISTENTIALISM (อัตถิภาวะนิยมสุขสันต์) (Phaisit Phanphruksachat, 6 min)
21.7 MV: DANCIN' MOOD -- Super Glass Ska Ensemble (2009, Chardchakaj Waikawee)
http://www.youtube.com/watch?v=pSCKibyrOsQ
21.8 MV: KHOR BORG -- Photo Sticker Machine (2001, Wit Pimkanchanapong, 4 min)
http://www.youtube.com/watch?v=A8qYz20N_yg
21.9 MV: ONE RAI STI -- Soundlanding (2007, Winai Kitcharoen)
http://www.youtube.com/watch?v=4fZ0U9JT2x0
21.10 MV: SAWANG PAI SAWANG MA (2010, Sonthaya Subyen)
21.11 MV: SUPER BASS -- Nicki Minaj (Parody version) (2011, Pitchayakorn Sangsuk)
http://www.youtube.com/watch?v=taXrahJIc-8
21.12 ONE DAY YOU WILL LOVE ME LIKE I LOVE YOU (สักวันเธอจะรักฉันอย่างที่ฉันรักเธอ) (2011, Wachara Kanha, 50 min)
21.13 PAMELA, POUR TOUJOURS (2005, Alain Bourges, France)
http://vimeo.com/3782820
21.14 PIECES AND PIZZA (2010, Pesang Sangsuwan, 9 min)
21.15 T-BONE COME TO TOWN (2001, Wit Pimkanchanapong, 4 min)
http://www.youtube.com/watch?v=3Ez2wGNXNvE
21.16 A TRANSVESTITE DANCING IN FRONT OF MORLUM STAGE (2011, anonymous)
http://www.youtube.com/watch?v=F21PrroWvvY
21.17 TWILIGHT VIDEO IN AFTERNOON (2007, Rachawadee Komolsut, 17:22 min)
21.18 WOOHOO (อัศจรรย์สวยข้ามคืน) (2010, Pitchanon Jenbanjong, 6:47 min)
22. Jean-Luc Godard wrote in 1964, "There are several ways of making films. Like Jean Renoir and Robert Bresson, who make music. Like Sergei Eisenstein, who paints. Like Stroheim, who wrote sound novels in silent days. Like Alain Resnais, who sculpts. And like Socrates, Rossellini I mean, who creates philosophy. The cinema, in other words, can be everything at once, both judge and litigant.
Misunderstandings often arise from the failure to remember this truth. Renoir, for instance, may be accused of being a bad painter, whereas no one would say this of Mozart. Resnais may be accused of being a bad storyteller, whereas no one would think of saying this of Giacometti. The whole, in other words, is confused with the part, denying either one the right of exclusion as well as inclusion.
This is where the trouble begins. Is the cinema catalogued as a whole or a part? If you make a Western, no psychology; if you make a love-story no chases or fights; if you make a light comedy, no adventures; and if you have adventures, no character analysis
Woe unto me, then, since I have just made LA FEMME MARIÉE, a film where subjects are seen as objects, where pursuits by taxi alternate with ethnological interviews, where the spectacle of life finally mingles with its analysis: a film, in short, where the cinema plays happily, delighted to be only what it is."
Do you think if each of the film below "plays happily, delighted to be only what it is"? And why? You should also notice that crossing the genre boundaries can be considered "an act of freedom" in the case of some films, while mixing some genres together can be considered "the norm" in the case of other films.
22.1 AT LEAST/MODERATELY/TREMENDOUSLY (อย่างน้อย/อย่างกลาง/อย่างมาก) (2011, Tritos Termarbsri, 90 min)
22.2 BANGKOK KUNGFU (2011, Yuthlert Sippapak)
22.3 A BRIEF HISTORY OF MEMORY (2010, Chulayarnnon Siriphol, 14 min)
22.4 DISAPPEAR (อำพราง) (2010, Tani Thitiprawat, 26 min)
22.5 DONT' WARM EGGS IN MICROWAVE OR ELSE THEY WILL EXPLODE! (2005, Tossapol Boonsinsukh, 14 min)
22.6 THE FANCIFULNESS OF THE UNIVERSE (ความฟุ้งของจักรวาล) (2010, Krit Twinwawit, 40 min)
22.7 FRIENDS (2010, Pichanund Laohapornsvan, 63 min)
22.8 FUENG (2010, Teeranit Siangsanoh, Wachara Kanha, Tani Thitiprawat)
http://www.youtube.com/watch?v=YBIkfdi1m4s
22.9 LIKE REAL LOVE (2008, Anocha Suwichakornpong, 38 min)
22.10 MARIJUANA GIRL (แม่ดอกกัญชา) (1977, Dokdin Gunyamarn)
22.11 MOTHER (2011, Vorakorn Ruetaivanichkul)
22.12 MYSTERIOUS OBJECT AT NOON (2000, Apichatpong Weerasethakul)
22.13 PANYA RAENU (ปัญญา เรณู) (2011, Bin Banluerit)
22.14 THE POB'S HOUSE (บ้านผีปอบ) (2010, Ukrit Sa-nguanhai, 15 min)
22.15 REMEMBRANCE (กาลานุสติ) (2010, Sittiporn Racha)
22.16 A TOUGH CREATURE WHO BURDENS THE EARTH (สัตว์วิบากหนักโลก) (2004, Phaisit Phanphruksachat)
22.17 UPTOGU (2011, Pachara Yang, 19:50 min)
22.18 WHY DO YOU JUMP? (โดด) (2011, Korn Kanogkekarin, 19 min)
23. Ray Carney wrote, "Forget about saying something big. Forget Kane, 2001, and Blade Runner, and bloated, puffed-up metaphors about solitude, technology, or angst. Big ideas are trite and obvious. Say something small and particular. That’s hard. Tell the truth about a boy and a girl breaking up. That’s plenty of truth for one movie. All the truth we really need."
Discuss how Carney's quote may or may not be applied to each of the films below:
23.1 BLUE LOVE (2011, It Khaena)
http://www.youtube.com/watch?v=gd38MNB1zfQ
23.2 DARKEN SKY (ฟ้าสีเทา) (2010, Anuwat Upanun, 27 min)
23.3 DAW (2009, Wasunan Hutawach, 7 min)
23.4 DISTANCE (สิ่ง-ไหน) (2010, Chonlasit Upanigkit, 55 min)
23.5 HUNGRY OR FULL (2009, Anuchit Muanprom)
23.6 THE ORDINARY ROMANCE (2005, Teekhadet Watcharathanin, 85 min)
23.7 SHE WITH ME (ชีวิตมี) (2009, Anusak Fongsanuwong, 30 min)
23.8 STILL (2008, Wisarut Deelorm, 52 min)
23.9 SWEETHEART (สุดที่รัก) (2010, Woratep Tummaoros, 20 min)
23.10 TERRIBLY HAPPY (สุดสะแนน) (2010, Pimpaka Towira)
23.11 THERE (2008, Rajjakorn Potito, 65 min)
http://vimeo.com/22645716
23.12 UNLIKENESS (นอกหน้าต่าง) (2011, Pitchnut Suktorn, 26:22 min)
23.13 ZERO (2010, Kriangkrai Watananiyom, 30 min)
24. Ray Carney said that Mike Leigh and John Cassavetes " show us how extraordinary the most ordinary life can be. They show us that it’s not the complexity of events that makes for interest but the complexity of a character’s feelings.
The turning points in life usually occur in the simplest settings and situations. Not racing somewhere in a car, but sitting in a room and suddenly realizing something. Not yelling and screaming, but reading a magazine and feeling bored or discouraged. If you feel your character has to have something extraordinary happen to her to make her interesting, ask yourself why ordinary life does not matter enough to hold your interest."
Discuss how Ray Carney's quote above may or may not be applied to the following films, and why?:
24.1 DINNER (2005, Sivaroj Kongsakul)
24.2 FLUSH TANK (น้าโอมอยากมีผัว) (2011, Tossaphon Riantong)
http://www.youtube.com/watch?v=5w8TmpKw4_g
24.3 HAPPINESS (สุขขี) (2011, Chadchon Nonthichan)
24.4 LET'S EAT (2011, Wasunan Hutawach)
24.5 ON THE ROAD (2010, Thepmanee Kittitawornkul)
24.6 THE OTHER WORLD (2007, Chutchon Ajanakitti)
24.7 OUR LAST NIGHT TOGETHER (ค่ำคืนสุดท้าย) (2010, Wachara Kanha, 48 min)
24.8 SHE IS READING NEWSPAPER (2005, Tossapol Boonsinsukh)
http://www.youtube.com/watch?v=IWwOcpknjLA
24.9 STUDENT (2005, James Prutwarasin)
24.10 TO (2010, Uruphong Raksasad, 16 min)
24.11 A WEEK'S VACATION (1980, Bertrand Tavernier, France)
24.12 A YEAR HENCE (2011, Rachakorn Potito)
24.13 YESTERDAY (2008, Sompot Chidgasornpongse)
25. Jonas Mekas wrote 39 years ago, "The most beautiful movie poetry will be revealed someday in home-movie footage. The day is close when home movies will be appreciated as beautiful folk art. Time is laying a veil of poetry over them."
Discuss how Mekas' quote may or may not be applied to the following films:
25.1 AND NOW THE PRESIDENT WILL TALK ABOUT THE OBJECTIVES OF THE PROJECT (เรียนเชิญท่านประธานกล่าวรายงานวัตถุประสงค์ของโครงการ) (2011, Sitthichai Pleantongdee, 18 min)
http://www.youtube.com/watch?v=Gb5yGGo4kqU
25.2 AOMM (2008, Somchai Vachirachongkol, 30 min)
25.3 FRAGRANCE OF THE WIND (2007, Chaiwat Wiansantia)
http://www.youtube.com/watch?v=qTDlZbNZQaM
25.4 FROM NACHUAK TO BANGKOK (2005, Siwadol Ratee, 83 min)
25.5 GHOSTS (2005, Anocha Suwichakornpong)
25.6 HERE COMES THE SUN (2008, Supakit Seksuwan, 7 min)
25.7 HOME VIDEO (2008, Yanin Pongsuwan, 14 min)
25.8 HOUSE OF VIEW MOM DAD AND SOMETIME OREO (2009, Thakoon Khempunya, 10 min)
25.9 IN TRAIN (เวียนหัว และ เมื่อยก้น) (2011, Boripat Plaikaw, 83:30 min)
25.10 I REMEMBER (2011, Authawut Boonyuang, 90 min)
25.11 MATERIAL FICTION: A BIOGRAPHY OF THE AMULET (2008, Prap Boonpan)
25.12 ME AND MY VIDEO DIARY (2010, Tani Thitiprawat, 30 min)
25.13 THE MORNING ATMOSTPHERE AT MY HOME AT SIX O'CLOCK (บรรยากาศยามเช้าที่บ้านตอน 6 โมง) (2011, Wachara Kanha)
25.14 MRS. NUAN WHO CAN RECALL HER PAST LIVES (2010, Chulayarnnon Siriphol)
25.15 MUSIC VIDEO: UP TO YOU (YUCHAROEN VERSION) (2011, Eakarach Monwat, 4 min)
http://www.youtube.com/watch?v=7JU5Q3OCIxc
25.16 MY GRANDFATHER (2008, Pichet Smerchua, 45 min)
25.17 MY MOTHER AND HER DARKNESS (แม่กับแมงเม่า) (2008, Wiwat Lertwiwatwongsa)
http://www.youtube.com/watch?v=t_PX16nlFD4
25.18 MY ROOM AND I (2010, Ka-nes Boonyapanachoti, 20 min)
25.19 MY SONG CLASSROOM (หนังสือรุ่น) (2005, Benjaphan Rungsubhatanond, 14 min)
25.20 A NEANGLY FAIRYTALE (BREAKDOWN: SIDE STORY) (2009, Nattaphan Boonlert, 21 min)
25.21 AN ORDINARY STORY (เรื่องธรรมดา) (2007, Meathus Sirinawin, 46 min)
25.22 OUR FILM (หนังของเรา) (2005, Atthasit Somchob, 22 min)
25.23 A PLACE OF DIFFERENT AIR (สถานต่างอากาศ) (2008, Chaloemkiat Saeyong)
25.24 SIAM SQUARE (1998, Chanarai Sutthibutr, 22 min)
25.25 SMALL WORLD (2008, Wasunan Hutawach)
25.26 SUNDAY (2010, Siwapond Cheejedreiw, 24 min)
25.27 TAN (2007, Wanweaw Hongwiwat + Weawwan Hongwiwat, 5 min)
http://www.youtube.com/watch?v=sjBslkQ9hPQ
25.28 THERE, THERE (2006, Nawapol Thamrongrattanarit)
25.29 WANG YUEN HAB (วังยื่นหาบ) (2008, Sompong Soda, 35 min)
25.30 WHEN I DANCE (ผม ตัวผม และไดอารี่ของผม) (2006, Unnop Saguanchat, 90 min)
End of the Game
Thanks to every filmmaker mentioned in this game who have made films which give me so much pleasure during the past 15 years.
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