Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Monday, June 25, 2012

Judenplatz Holocaust Memorial, Vienna

"The Judenplatz Holocaust Memorial also known as the Nameless Library stands in Judenplatz in the first district of Vienna. It is the central memorial for the Austrian victims of the Holocaust and was designed by the British artist Rachel Whiteread.


The memorial is a steel and concrete construction.  The outside surfaces of the volume are cast library shelves turned inside out. The spines of the books are facing inwards and are not visible, therefore the titles of the volumes are unknown and the content of the books remains unrevealed. The shelves of the memorial appear to hold endless copies of the same edition, which stand for the vast number of the victims, as well as the concept of Jews as "People of the Book." The double doors are cast with the panels inside out, and have no doorknobs or handles. They suggest the possibility of coming and going, but do not open.

The memorial represents, in the style of Whiteread's "empty spaces", a library whose books are shown on the outside but are unreadable. The memorial can be understood as an appreciation of Judaism as a religion of the "book"; however, it also speaks of a cultural space of memory and loss created by the genocide of the European Jews. Through the emphasis of void and negative casting rather than positive form and material, it acts as a "counter monument" in this way opposite to the production through history of grandiose and triumphal monumental objects.


As a work of art, the memorial was not intended to be beautiful and as such it contrasts with much of the Baroque art and architecture of Vienna. A member of the design jury had noticed a resemblance to a bunker and the military fortifications of the Atlantic wall were later confirmed by the artist as a source of inspiration for the project. There is an aspect of discomfort in the monument that was meant to provoke thought in the viewer through the memorial's severe presence. It was intended to evoke the tragedy and brutality of the Holocaust and in the words of Simon Wiesenthal at the unveiling, "This monument shouldn't be beautiful, It must hurt." - from Wikipedia



Susie West adds this "[the] Holocaust Memorial, a cast of spaces around books on bookshelves, to signify books not written, not read, and not loved by citizens who were Jewish." in Contexts A151 Book 2, (2012) Solid but unstable: the early modern book, Milton Keynes, The Open University.

Sunday, June 17, 2012

How History Teaches Us

"History does not produce definitive answers for all time. It is a process." Margaret MacMillan, (2009) The Uses And Abuses Of History, London, Profile Books.

"Lost golden ages can be very effective tools for motivating people in the present."

Thursday, May 31, 2012

On Nationalism, A Rebuttal

"A nation is a group of people united by a mistaken view about the past and a hatred of their neighbours." - Karl Deutsch (1912-1992), Czech political and social scientist.

On Nationalism

"A nation is a great solidarity created by the sentiment of the sacrifices which have been made and those which one is prepared to make in the future." - Ernest Renan (1823-1892), French writer, philosopher and political theorist.

Tuesday, May 29, 2012

Book Review - South: The Story of Shackleton's 1914-1917 Expedition - Sir Ernest Henry Shackleton 10*

Back when men were men. At the outbreak of WWI Shackleton had outfitted two ships and crews to try a continental crossing of the Antarctic.  He offered to halt the expedition but was ordered to continue by Winston Churchill.  Famously, the crossing never took place.  What did happen was an increasingly desperate fight to survive by the two ship's crews on opposite sides of the polar continent.

The book is largely made up of extracts from Shackleton's own diary and the diaries of some of the other expedition members, worked together into a strongly coherent narrative.  Shackleton charts the problems faced by his (the Weddell Sea) side of the expedition.  His ship, the Endurance, became stuck in sea ice in January 1915 where it drifted slowly across the Weddell Sea until it was crushed and sank in November of the same year. Shackleton's crew camped on the moving ice until April of 1916 when their ice floe broke apart and they were forced into the salvaged ship's boats to make a harrowing five day sea voyage to the dry land of Elephant Island.

Shackleton exhibits huge compassion for the suffering of his men. The rationing, the constant extreme cold and atrocious weather, the poor rations (including periods where the men were doing the backbreaking work of hauling sledges, after the deaths of the dogs, on rations of a single biscuit and a mug of cocoa a day), frostbite, boredom, ennui, scurvy, snow-blindness, exhaustion - the range of problems thrown against the men seems almost insurmountable, and yet, through it all, Shackleton keeps his group together working hard for each other's survival.

Parts of the tale are so epically British that you can't help but feel a swell of pride for a nation that produced men like these.  "The Endurance sank, but we saved the pennant of the Royal Yacht Club." Signs are important of course, and when throwing away almost of of their personal possessions after the sinking, Shackleton knew the importance of keeping just a few items, the pennant, an encyclopaedia, the men's pipes, that would remain as a tiny measure of normality and home comfort in the dark days ahead.

When everything seemed almost lost at the Elephant Island camp, with some of the men finally submitting to the throes of depression, Shackleton and a volunteer crew launched the ship's boat, the James Caird, a vessel slightly larger than a sailing dinghy and sailed 800 miles to South Georgia, arriving there due to the excellent navigational skills of the Endurance's captain Frank Worsely.  This voyage alone, through freezing, storm swept, mountainous souther ocean, would be enough for a heroic survival story, and upon landing on the wrong side of South Georgia the men still have to make a long and dangerous march in order to reach the whaling station and raise help.

The conditions faced by the crew of the Aurora across the continent in the Ross Sea were no less incredible.  The crew here followed in the tracks of Captain Scott, laying food and fuel depots for Shackleton's party to find as they crossed the continent.  The Aurora was ripped from its moorings and drifted, badly damaged, until the crew nursed it to New Zealand.  As Shackleton was organising the rescue for the Elephant Island team, so the Aurora's crew organised a rescue for their comrades on the ice near Ross Island.

South is a tremendous tale of survival against the odds, of what people can do when faced with extremis, when lying down and giving up would have been far easier than struggling on, for day after day, month after month.  It is an inspiring read, uplifting in its own way, and illuminates well how these men were the products of the era they lived in - after being rescued every man fit to serve signed up for military service in WWI.


South is currently available for free download from Amazon.

Sunday, May 27, 2012

Using History

"If history is the judge to which we appeal, then it can also find against us. It can highlight our mistakes by reminding us of those who, at other times, faced similar problems but who made different, perhaps better decisions" - Margaret MacMillan, (2009) The Uses And Abuses Of History, London, Profile Books.

"A cockroach in the concrete, courthouse tan and beady eyes
A slouch with fallen arches, purging truths into great lies
A little man with a big eraser, changing history
Procedures that he's programmed to, all he hears and sees
Altering the facts and figures, events and every issue
Make a person disappear, and no one will ever miss you

Rewrites every story, every poem that ever was
Eliminates incompetence, and those who break the laws
Follow the instructions of the New Way's Evil Book of Rules
Replacing rights with wrongs, the files and records in the schools" - Lyrcis to Hook In Mouth by Megadeth, written by Dave Mustaine.
"The word [classical] carries the implication that the works of art and literature produced in Graeco-Roman antiquity possess an absolute value, that they form the standard by which all others are to be judged." - Griffen, J., in Boardman, J., Griffin, J., and Murray, O., (1986) The Oxford History of the Classical World, Oxford, Oxford University Press.

Thursday, April 26, 2012

The Rameseum of El-Kurneh


Francis Frith: The Rameseum of El-Kurneh, Thebes, albumen silver print from glass negative, 379×477 mm, 1857 (New York, Metropolitan Museum of Art, Gilman Collection, Purchase, Anonymous Gifts, by exchange, 2005, Accession ID: 2005.100.633)

No real reason for this, I was just doing a search exercise on how to use art databases.

Sunday, April 8, 2012

Counting Sheep

Yan
Tyan
Tethera
Methera
Pip
Ceser
Leser
Cathra
Horner
Dick
Yanadick
Tyanadick
Tetheradick
Metheradick
Bumpit
Yana Bumpit
Tyana bumpit
Tethera Bumpit
Methera Bumpit
Jiggit


Sheep dipping in a dammed stream at Burton Bradstock (Chesil Beach) Dorset

Saturday, April 7, 2012

The Great Paris Cat Massacre

The penultimate assignment for OU AA100 is to write a reflective piece about your study skills and learning experiences on the course.  This seems a fairly easy essay to write, especially for those of us who had to do a similar piece on the preceding course.  When considering my strengths I had noted that I have a very broad range of interests and very much enjoy reading and writing.  On the weaknesses side I put that partly because of my broad range of interests I have a tendency to get sidetracked when doing research for essays.

A case in point was yesterday when I was supposedly reading up on the history of rail infrastructure and the improvement of pay for the working classes in the rise of Blackpool as a leisure destination.  Everything was going well, I was poring through various scholarly historical journals and then...


Le Monde Illustre, April 1871. During the Siege of Paris (Franco-Prussian War) market stalls did a thriving business in cat, dog and rat meat.

The next article in the journal History Today was titled The Great Paris Cat Massacre. Who wouldn't want to read that ? Blackpool and the social history of Lancashire mill workers was forgotten as I read the exploits of two Paris apprentices, who, angered that their employers looked after their vast array of felines better than they did their humans, eventually held a trial for said cats, accused and found them guilty of witchcraft and then beat them all to death with clubs. It was rather gruesome, especially if you are fond of cats, but also blackly hilarious.



Oh kittens, in our hours of ease
Uncertain toys and full of fleas,
When pain and anguish hang o’er men,
We turn you into sausage then.

Thursday, January 5, 2012


Wittenberg All Saints' Church. The "These...
Wittenburg All Saints Church doors
"To think the papal pardons so great that they could absolve a man even if he had commited and impossible sin and violated the Mother of God - this is madness." Martin Luther, 95 Theses
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The picture shows the doors where Luther is supposed to have nailed his 95 Theses

Wednesday, January 4, 2012

Pugin's Rules of Architecture


Augustus Welby Northmore Pugin (1812-1852)
Image via Wikipedia
"The two great rules for design are these:

1st, that there should be no features about a building which are not necessary for convenience, construction, or propriety;

2nd, that all ornament should consist of enrichment of the essential construction of the building." - Augustus Welby Northmore Pugin (1812-52)
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The Protestant Church After The Reformation

Sunday, October 23, 2011

Stalin's Giving Me A Hard Time

Well it was bound to happen sooner or later, I have reached a part of the degree course that I did not find easy.  I dare say as I add modules and move on to stage 2 and 3 work I'm going to find quite a lot of the work quite hard, but until the Stalin chapter yesterday everything seemed to be going quite well.


Joseph Stalin and Nikita Khrushchev, January 1936.
Krushchev and Stalin

Our task in the Stalin chapter of Reputations is to examine the myth of Stalin, both the story he built up about himself, and then the counter-myth spun by Krushchev, this is done by examining the conclusions of different historians.  This is a very different way to learn history than I am used to, this isn't at all the rote learning of dates and events I can remember from school, along with the very definite 'this is what happened' approach. The methods we are being trained to use to examine history is much more 'so X occured, but the reason might be Y according to Smith, or Z according to Jones', and then it's up to us to sort it out.

I have managed to complete the Stalin chapter, and did all the exercises within, but it was tough going, and when I read the suggested answers for each question, I had not made half so many connections and conclusions as I had been doing in the earlier parts of the course.

There isn't an essay to do on Stalin, for which I am quite grateful.  My Cleopatra essay is almost completed, just the bibliography to do, and I have my Cezanne vs. Zurburan essay in rough form ready to copy up. Looking to the next chapter of the course, it's music, focusing on the diva, and taking in Maria Callas, Madonna, Puccini and Luzzaschi, who as far as I am aware at the moment, plays inside left for AC Milan.
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Thursday, September 29, 2011

Did The Enlightenment Fail ?

Jurgen HabermasImage via Wikipedia
Jurgen Habermas
"Enlightenment thinkers still had the extravagant expectation that the arts and sciences would promote not only the control of natural forces, but would also further understanding of the world and of the self, would promote moral progress, the justice of institutions, and even the happiness of human beings. The 20th Century has shattered this optimism...Should we try to hold on to the intentions of the Enlightenment, feeble as they may be, or should we declare the entire project of modernity as a lost cause ?" - Jurgen Habermas, "Modernity versus Postmodernity" in New Left Critique, 22 (Winter 1981)
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Sunday, July 31, 2011

The Right To Complain

"Im old, I'm poor, I'm out of work, and I'm in debt, and therefore I have a right to complain." William Cuffay, Chartist radical, 1788-1870.

Tuesday, June 28, 2011

Venus and Cupid, the Rokeby Venus



Venus and Cupid by Diego Valazquez. The painting is variously known as The Toilet of Venus, Venus at her Mirror and The Rokeby Venus after Rokeby Park in Yorkshire where the painting was first hung after being brought to England. The Spanish Inquisition were active during the period in which Velazquez painted, few Spanish nudes were painted and few have survived.


In 1914 the painting was damaged with a cleaver by the Canadian Suffragette Mary Richardson, she said about the act “I have tried to destroy the picture of the most beautiful woman in mythological history as a protest against the Government for destroying Mrs Pankhurst, who is the most beautiful character in modern history. Justice is an element of beauty as much as colour and outline on canvas. Mrs Pankhurst seeks to procure justice for womanhood, and for this she is being slowly murdered by a Government of Iscariot politicians. If there is an outcry against my deed, let every one remember that such an outcry is an hypocrisy so long as they allow the destruction of Mrs Pankhurst and other beautiful living women, and that until the public cease to countenance human destruction the stones cast against me for the destruction of this picture are each an evidence against them of artistic as well as moral and political humbug and hypocrisy."

Richardson went on to join Oswald Mosley’s British Union of Facists and rose to become head of the women’s section of the movement.



The Expulsion From Eden

c. 1424-28, Fresco, Brancacci Chapel, Florence, by Massacio.  The painting is shown here in its restored form, three centuries after the fresco was painted, Cosimo III de' Medici - the Grand Duke of Tuscany, ordered that fig leaves be painted over the genitals of the figures, these were removed in the 1980's.

Sunday, May 15, 2011

Strange Fruit

The photograph that was cited by the songwrite...Image via Wikipedia




Southern trees bear strange fruit,
Blood on the leaves and blood at the root,
Black body swinging in the Southern breeze,
Strange fruit hanging from the poplar trees.

Pastoral scene of the gallant South,
The bulging eyes and the twisted mouth,
Scent of magnolia sweet and fresh,
Then the sudden smell of burning flesh!

Here is fruit for the crows to pluck,
For the rain to gather, for the wind to suck,
For the sun to rot, for the tree to drop,
Here is a strange and bitter crop.

- Abel Meeropol

The photograph shows the lynching of Thomas Shipp and Abram Smith on August 7th 1930 in Marion, Indiana, Meeropol is reported to have written the poem after seeing this photograph. Although the photograph has shown up on the Zementa content widget, there appears to be some controversy over its copyright status as Wikipedia offers this explanation for fair use "Fair use rationale for Strange Fruit: This exact image inspired the poem Strange Fruit and is used in the article to illustrate this inspiration. The image is irreplaceable for this purpose."
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