Showing posts with label AUSTRIA. Show all posts
Showing posts with label AUSTRIA. Show all posts

Monday, June 25, 2012

Judenplatz Holocaust Memorial, Vienna

"The Judenplatz Holocaust Memorial also known as the Nameless Library stands in Judenplatz in the first district of Vienna. It is the central memorial for the Austrian victims of the Holocaust and was designed by the British artist Rachel Whiteread.


The memorial is a steel and concrete construction.  The outside surfaces of the volume are cast library shelves turned inside out. The spines of the books are facing inwards and are not visible, therefore the titles of the volumes are unknown and the content of the books remains unrevealed. The shelves of the memorial appear to hold endless copies of the same edition, which stand for the vast number of the victims, as well as the concept of Jews as "People of the Book." The double doors are cast with the panels inside out, and have no doorknobs or handles. They suggest the possibility of coming and going, but do not open.

The memorial represents, in the style of Whiteread's "empty spaces", a library whose books are shown on the outside but are unreadable. The memorial can be understood as an appreciation of Judaism as a religion of the "book"; however, it also speaks of a cultural space of memory and loss created by the genocide of the European Jews. Through the emphasis of void and negative casting rather than positive form and material, it acts as a "counter monument" in this way opposite to the production through history of grandiose and triumphal monumental objects.


As a work of art, the memorial was not intended to be beautiful and as such it contrasts with much of the Baroque art and architecture of Vienna. A member of the design jury had noticed a resemblance to a bunker and the military fortifications of the Atlantic wall were later confirmed by the artist as a source of inspiration for the project. There is an aspect of discomfort in the monument that was meant to provoke thought in the viewer through the memorial's severe presence. It was intended to evoke the tragedy and brutality of the Holocaust and in the words of Simon Wiesenthal at the unveiling, "This monument shouldn't be beautiful, It must hurt." - from Wikipedia



Susie West adds this "[the] Holocaust Memorial, a cast of spaces around books on bookshelves, to signify books not written, not read, and not loved by citizens who were Jewish." in Contexts A151 Book 2, (2012) Solid but unstable: the early modern book, Milton Keynes, The Open University.

Friday, February 17, 2012

Film Wish List: THE WALL (2012, Julian Roman Poelsler, Austria)

SYNOPSIS

The cawing of the crows breaks through the biting cold whilst, inside a bare hunting cabin, a woman (Martina Gedeck) forces her words into tight narrow lines on her last sheet of paper. Her fingernails are filthy from all the work. The expression on her face mirrors her fate. This woman is not writing her story out of pleasure, this woman is writing to save herself from losing her mind.

The rays of sunlight on a beautiful day in May evoke her memories. With her friends Hugo and Luise and their dog Luchs, she drives through the stunning landscape of the Austrian mountains to their lodge for a weekend getaway. The couple sets off that evening on a short hike to the village to catch some of the excellent fresh air. They promise to return before dawn. The woman and the dog remain behind, sitting on the rustically romantic wooden porch. She appears out of place in her urban clothes. This is not her world.

The next morning, the couple has not yet returned. The woman wonders what might have happened. Her friends would never have been so inconsiderate as to leave her in the hut alone overnight. She decides to go and look for them, setting off in her city shoes with Luchs down the stony path to the valley. Suddenly the dog begins to howl and stops walking. The woman hits against an invisible wall. Bewildered, her hands move through the air touching the inexplicable barrier that separates her from the rest of the world. The blue sky and the nature around her seem as normal as always. The birds are chirping as if nothing has happened. She hears a loud thumping but then realizes it’s coming from inside her. Her heart is gripped with fear long before she even realizes it. What has happened? Surely someone must have sounded the alarm by now. Even more puzzling than this wall: There is not a single person in sight.

She is convinced that she will not be able to survive. And yet she knows that she must survive; there’s no way out for her. The second time the woman sets off to explore the area bounded by this wall, she is better equipped: Through her binoculars she can see the people in the neighboring hut, frozen in mid-motion as if turned to stone. A swift death must have caught them by surprise. Perhaps it would have been wiser had she gone with her friends into the village.

With time the woman manages to come to terms with her new surroundings. She finds a cow, which she names Bella. She plants potatoes, goes hunting, survives the winter. In the summer she moves to a nearby alpine hut and, inspired by the fascinating mountain scenery, she falls into the delicate experience of connecting with herself. The thought of someone ever finding her no longer haunts her, she realizes.

But one day, the time comes and she is found. But not as she had expected. This meeting changes her life a second time and, in her own way, she resolves the questions that will never let her go.


Sunday, February 12, 2012

Austrian Fillms seen on Thursday, February 2, 2011

1.COMING ATTRACTIONS (2010, Peter Tscherkassky, A+30)

2.PRAXIS-8 (2010, Dietmar Brehm, A+30)

3.CONFERENCE (2011, Norbert Pfaffenbichler, A+15)

4.OCEANO NOX (2011, Georg Wasner, A+10)

5.ENDEAVOUR (2010, Johan Lurf, A+10)

6.TRANQUILITY (2010, Siegfried Fruhauf, A+)




Friday, February 3, 2012

COMING ATTRACTIONS (2010, Peter Tscherkassky, A++++++++++++++++++++++++++++++)

I just saw COMING ATTRACTIONS (2010, Peter Tscherkassky, A++++++++++++++++++++++++++++++) on Thursday at Bangkok Experimental Film Festival. It is now one of my most favorite films of all time. I like the faces and gestures of women in this film very much. หน้าตาผู้หญิงแต่ละคนในหนังเรื่องนี้มันช่าง "กะหล่ำแตกแดกดัน" มากๆ




Tuesday, January 31, 2012

European Cup 1969 1970 Dynamo Kyiv Austria Wien

First round, Second Game
October 01, 1969
Kiev, Central Stadium
100 000 spectators
Referee: Ladislav Jakse (Yugoslavia)

Dynamo Kyiv:  Evgeny Rudakov, Fedor Medvid, Vadim Sosnikhin, Sergey Krulikovsky, Vladimir Levchenko, Vladimir Muntyan, Yozhef Sabo, Viktor Serebryanikov, Anatoly Puzach, Anatoly Byshovets, Vitali Khmelnitsky. Coach: Victor Maslov.
Austria Wien:
Josef Schneider, Robert Sara (68` Alfred Takacs), Karl Frohlich, Johann Frank, Johann Geyer, Eduard Krieger, Thomas Parits, Helmut Koglberger, Gunter Kuntz, Ernst Fiala, Josef Hickersberger. Coach: Ernst Ocwirk.
Goals:
18'(0-1)Thomas Parits,48'(1-1)Vladimir Muntyan,86'(2-1)Anatoly Byshovets, 88'(3-1)Anatoly Puzach.

Interview of coaches after the match (Russian): 
V.Maslov: "Мы предполагали, что игра в Киеве будет сложней, чем в Вене, что обе команды во втором матче покажут футбол высокого класса. Эти прогнозы оправдались. Аустрия  выглядела иначе - более мощной и лучше подготовленной. Я доволен: победа над таким соперником не может не радовать. Наши ребята много атаковали в первом тайме, но вратарь австрийцев сыграл блестяще, выходя победителем в сложнейших ситуациях. Австрийцы играли на контратаках, и особо много хлопот нашим защитникам доставили Париц и Кегльбергер - футболисты высокотехничные и очень подвижные".  
E.Ocwirk: "Вообще мне матч очень понравился. Обе команды играли намного лучше, чем в Вене. Это был настоящий современный футбол. До счета 1:1 Аустрия  играла очень хорошо, но футболисты Динамо проявили больше воли и умения в концовках атак. Это и обусловило их победу. Особенно мастерски киевляне провели концовку матча. Когда всем уже казалось, что они больше не думают про австрийские ворота, хозяева поля двумя мушкетерскими выпадами "похоронили" нашу надежду, хотя бы на почетную для нас ничью. Динамо - интеллигентная, сильная, боевая команда. В этом матче игру экстра-класса снова продемонстрировал Мунтян, от которого я в восхищении. Хорош был и Бышовец. И еще мне понравилось, что ожесточенность спортивной борьбы не отразилась на корректности футболистов".



 



https://rapidshare.com/files/4193215585/1969.DK-AW.Rush®.mkv

Video Codec H264, Mkv 720 х 576, Bitrate 2500 kbps 25.00 fps
Sound Codec mp3, 128 kbps 44100 Hz, 16 bit, 2 channels German comments 



 
 Links:
 http://www.uefa.com/uefachampionsleague/season=1969/matches/round=962/match=62566/index.html
http://www.eurocups-uefa.ru/champions_league/1969-70/protocols/cl1970_004_2.php
http://en.wikipedia.org/wiki/1969%E2%80%9370_European_Cup
http://www.dofootball.com.ua/index.php?catalog_id=1624&game_id=100841
http://www.mackolik.com/Mac/458744/Dynamo-Kyiv-Austria-Vienna
http://www.austria-archiv.at/spiel.php?Spiel_ID=10918&Runde_ID=2133
http://www.austria-archiv.at/spieler.php?Spieler_ID=189&Runde_ID=2133
http://www.austria-archiv.at/kader.php?Saison_ID=59
http://dinamokiev.ucoz.ru/index/0-203
http://www.programmes.kiev.ua/catalog/1969/dk-austria69.htm
http://www.ukrsoccerhistory.com/index.aspx?page=ec41&cm=12
http://www.fanpicture.ru/forum/index.php?/topic/9-%D0%B4%D0%B8%D0%BD%D0%B0%D0%BC%D0%BE-%D0%BA%D0%B8%D0%B5%D0%B2fc-dynamo-kyiv/page__st__100__p__7083&#entry7083
http://www.dynamomania.com/posts/156869-komanda-molodosti-nashey-1961-1970-ded-viktor-aleksandrovich-maslov



Saturday, August 6, 2011

FILM WISH LIST: WHORES' GLORY

WHORES' GLORY (2011, Michael Glawogger, Austria) is partly about prostitution in Thailand. This film will be shown in the Venice Film Festival. I think WORKINGMAN'S DEATH (2005, Michael Glawogger) is a good documentary.