Showing posts with label sculpture. Show all posts
Showing posts with label sculpture. Show all posts

Sunday, June 17, 2012

Advertising and Marxist Economic Theory

"Advertising's immediate goal is to sell artefacts and various kinds of products, but its long range goal is to turn people's attention away from their exploitation and justify the existence of a capitalist economic system." - Arthur Asa Berger, (2009), What Objects Mean: An Introduction to Material Culture, Walnut Creek, Left Coast Press.

Pic - Statue of Karl Marx in Addis Ababa.

Monday, February 13, 2012

THE RIPPLE (2012, Chumpon Utayophat, A+30)

This art exhibition is held at Jamjuree Art Gallery until February 21, 2012. I like this exhibition very much, because some wood carving works in this exhibition make me feel extremely calm. It seems as if some wood carving works in this exhibition possess the power of tranquility, and I'm completely overwhelmed by it. My most favorite work in this exhibition is the wood table called RIPPLES AND LAND NO.1 (2011). Looking at this table makes me feel like meditating.

If I have to screen some films for this exhibition, I would choose these films, because these films are also about water, and their power of tranquility casts a spell on me:

1.FLOW (2011, Chew Win Chen, Malaysia)

2.HIGH KUKUS (1973, James Broughton)

3.PISCINE (2002, Jean-Baptiste Bruant + Maria Spangaro)



























































































Wednesday, February 8, 2012

The Humanities Whistle Stop Tour; Benin to Greece

Along with my fellow students, I am now at the halfway point of the AA100 module, and the whistle stop tour of all points of humanities continues.  In the next few weeks we will be studying...
A Benin bronze plaque

Cultural Encounters : Changing relations between Europe and Africa and the art of Benin

Cultural exemptions and the Musqueam people of Canada

World short stories

The transmission of medical knowledge from Greece to Europe via the Middle East

Seamus Heaney's translation of Sophocles' Antigone : The Burial At Thebes

Everything is going well so far.  Although our tutor had told us it is not compulsory to hand in every essay, I feel I am getting better value from the course and building my skills better by doing all the work possible.  So far with four essays handed in and marked I'm just a fraction off a Distinction grade.

There are two essays from this section of the module, on the art of Benin and cultural encounters, then either cultural exemptions and the Musqueam people or the contribution of the chorus in The Burial At Thebes.  So far when we have had a choice of essays I have tried to go for what seems the harder of the two choices.  My thinking here is that this is only a level one module so it would be good practise the mentally stretch myself whenever possible.

One aspect of student life that makes learning today so easy is the huge wealth of information via the internet, I kid you not, Melvyn Bragg and the In Our Time guests on Radio 4 are helping me enormously.  Having a group of renowned academics discussing the topic you are composing an essay on is a fantastic help.  Other great sources for research are Internet Archive and Project Gutenberg with their vast collections of texts, audio and picture files. The Open University also gives us access to its vast online library system, so big that sometimes it feels like diving into an ocean of information to find a single pearl of knowledge. It is quite possible to get hopelessly lost / bogged down when searching the seemingly endless OU databases for something you hope to be relevant.

The Benin section is fascinating, and I am very much enjoying the way that the chapters are now drawing the various disciplines of humanities together.  In the the two chapters on cultural encounters and Benin we start with straight history, then combine it with the history of art and a hint of religious studies, then mix in a bit of philosophy at the end.

This section of the course feels like real university work, I had little idea what was meant by the phrase 'cultural exemptions' before this and if asked to describe the philosophical mindset behind 'difference-blind liberalism' a blank and uncomprehending look may well have ensued.  It is all good stuff though, I'm still loving the work.  Onwards and upwards as my tutor says.

Tuesday, September 27, 2011

Lucius Annaeus Seneca, sculpture by Puerta de ...Image via Wikipedia

Then Hercules said, "You just listen to me, and stop playing the fool. You have come to the place where the mice nibble iron." Apocolocyntosis, Lucius Annaeus Seneca.

Pic - Sculpture of Lucius Annaeus Seneca by Puerto De Almodovar in Cordoba.



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Monday, June 27, 2011

The Nude

Sir Kenneth in the library at Osterley Park, p...Image via Wikipedia
“The nude does not simply represent the body, but relates it, by analogy, to all structures that have become part of our imaginative experience” – Kenneth Clark
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Monday, May 30, 2011

World War II Memorial Sculpture Dedication at KSU May 30, 2011

Kansas State University honored the Veterans on the WWII Memorial Plaza with the unveiling of a Sculpture. Artists Tim Chapman and Daniel Hunt created a piece


at once simple
and dynamic, transparent
and ever-changing.


U.S. Vet alongside artist Tim Chapman
 
click on pics to enlarge.


Is your grandfather a hero?

The sky was perfect for the occasion--grey and blue, warm and windy, clouds deep with stories.
There was some electricity in the air, presence at the plaza.
The Program is posted below.

Here is my WWII vet:
Grandfather, who uncovered one of
The "camps" before anyone knew what that meant; he took photos as he thought no one would believe what he would have to tell them. He said he sent some of his men to round up locals to help build graves. 

He also brought home a Nazi flag,
very large,
crimson with the  black and white symbol in the center,
which my grandmother purified by cutting out the swastica and adding more red,
thus creating the red base over which the white lacy tablecloth was laid for
Christmas Dinner!
Sweet grandmother.



Here is the program:



looking north on the Kansas State University Campus
Folks from Meadowlark



cavalry of a different breed


A generous Vet allows me to photograph his t-shirt.


Senator Brownback arrives





a very short video: or( large here)


food for thought: saw this on my way out:

Saturday, May 21, 2011

House – Rachel Whiteread

Whiteread's House, the controversial sculpture...Image via WikipediaWhiteread reverses our conceptions of space and form. House shows the boundaries, the physical markings that formerly described the living space within, but that space is filled and has become solid and inaccessible. The inner space itself has become its own boundary and defines its own physical limits.


This piece also speaks to me of denial, denial of the traditional house values of being a home, a refuge from the world and a place of safety. Whiteread has denied all access to House, rendering the viewer effectively homeless. - Yorkshire Soul.


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Tuesday, May 3, 2011

Art Makes Civilization

Bronze sculpture, thought to be either Poseido...Image via Wikipedia
“Esthetic experience is a manifestation, a record and celebration of the life of a civilization, a means of promoting its development, and is also the ultimate judgement upon the quality of a civilization.” - John Dewey
The Philosopher’s Handbook, Ed. Stanley Rosen, Random House Reference, 1st Ed, 2003, ISBN 0-375-72011-1


Bronze sculpture, thought to be either Poseidon or Zeus, National Archaeological Museum of Athens

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SIMPLE (Wartist Rasta-nawong)



SURFACE #1 (Seksan Tanyapirom)



THE FRAME OF SAMSARA (Supanika Tironparin)



IMAGINATION MANUFACTURING MACHINE (MANUFACTURING TEDDY BEARS) (Sukanya Thampida)



DREAM (Chaturaporn Devakula)



WAI 2 (Somyot Sawasdee)



KINNAREES FROLICKING IN WATER (Lojana Manodhaya)